The Messenger
Χορός
875 ὀτοτοτοτοτοῖ, στέναξον· ἀποκείρεται
σὸν ἄνθος πόλεος, Διὸς ἔκγονος·
μέλεος Ἑλλάς, τὸν εὐεργέταν
ἀποβαλεῖς, ὀλεῖς μανίαισιν Λύσσας
χορευθέντʼ ἐναύλοις.
880 βέβακεν ἐν δίφροισιν πολύστονος,
ἅρμασι δʼ ἐνδίδωσι
κέντρον ὡς ἐπὶ λώβᾳ
Νυκτὸς Γοργὼν ἑκατογκεφάλοις
ὄφεων ἰαχήμασι, Λύσσα μαρμαρωπός.
885 ταχὺ τὸν εὐτυχῆ μετέβαλεν δαίμων,
ταχὺ δὲ πρὸς πατρὸς τέκνʼ ἐκπνεύσεται.
Ἀμφιτρύων
ἰώ μοι μέλεος.
Χορός
ἰὼ Ζεῦ, τὸ σὸν γένος ἄγονον αὐτίκα
λυσσάδες ὠμοβρῶτες ἄδικοι Ποιναὶ
890 κακοῖσιν ἐκπετάσουσιν.
890 ἰὼ στέγαι.
κατάρχεται χόρευμα τυμπάνων ἄτερ,
οὐ βρομίῳ κεχαρισμένα θύρσῳ
Ἀμφιτρύων
ἰὼ δόμοι.
Χορός
πρὸς αἵματʼ, οὐχὶ τᾶς Διονυσιάδος
895 βοτρύων ἐπὶ χεύμασι λοιβᾶς.
Ἀμφιτρύων
φυγῇ, τέκνʼ, ἐξορμᾶτε.
δάιον τόδε
Χορός
δάιον μέλος ἐπαυλεῖται.
κυναγετεῖ τέκνων διωγμόν· οὔποτʼ ἄκραντα δόμοισι
Λύσσα βακχεύσει.
Ἀμφιτρύων
900 αἰαῖ κακῶν.
Χορός
αἰαῖ δῆτα τὸν γεραιὸν ὡς στένω
πατέρα τάν τε παιδοτρόφον, μάταν
τέκεα γεννᾶται.
ἰδοὺ ἰδού,
905 θύελλα σείει δῶμα, συμπίπτει στέγη.
Ἡρακλῆς
· τί δρᾷς, Διὸς παῖ, μελάθρῳ;
τάραγμα ταρτάρειον, ὡς ἐπʼ Ἐγκελάδῳ ποτέ, Παλλάς,
ἐς δόμους πέμπεις.
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Murray 1913
OCT
Murray, OCT, 1913 · 1913
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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