Library Oratory

Oratory

The art of public speech in the ancient world

281 works in the library

Oratory was the supreme practical art of the ancient world. In democratic Athens and republican Rome, the ability to speak persuasively in the assembly, the courts, and the senate was the instrument of political power. The Greeks distinguished three branches: deliberative (political speeches before an assembly), forensic (legal speeches in court), and epideictic (speeches of praise or blame for ceremonial occasions). All three survive abundantly.

The Attic orators of the fourth century BC — Lysias, Isocrates, Demosthenes, and Aeschines among them — left a corpus that later scholars canonised as the "Ten Attic Orators." Lysias was admired for the apparent simplicity of his style and his ability to write in the voice of ordinary litigants. Demosthenes, the greatest of them all, combined intellectual rigour with passionate intensity in his speeches against Philip of Macedon — the Philippics and Olynthiacs — and in courtroom battles of extraordinary dramatic power.

At Rome, Cicero towered over all others. His speeches — from the early prosecution of Verres to the Philippics against Mark Antony — are masterpieces of Latin prose, deploying every resource of rhythm, argument, and emotional appeal. Cicero was also the genre's greatest theorist: his De Oratore, Brutus, and Orator defined the education, character, and technique of the ideal speaker. The younger Pliny and Tacitus continued the tradition into the Empire, though the transfer of real power from senate to emperor inevitably changed the nature and stakes of public speech.

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