The Escape
εὔπαις Λατοῦς γόνος,
1235 τόν ποτε Δηλιὰς ἐν καρποφόροις γυάλοις
ἔτικτε, χρυσοκόμαν
ἐν κιθάρᾳ σοφόν, τʼ ἐπὶ τόξων
εὐστοχίᾳ γάνυται· φέρε δʼ αὐτά
1240 νιν ἀπὸ δειράδος εἰναλίας,
λοχεῖα κλεινὰ λιποῦσα μά-
τηρ, τὰν ἀστάκτων ὑδάτων
βακχεύουσαν Διονύ-
σῳ Παρνάσιον κορυφάν·
ὅθι ποικιλόνωτος οἰ-
1245 νωπὸς δράκων,
σκιερᾷ κατάχαλκος εὐ-
φύλλῳ δάφνᾳ,
γᾶς πελώριον τέρας, ἄμφεπε μαντεῖ-
ον Χθόνιον.
ἔτι μιν ἔτι βρέφος, ἔτι φίλας
1250 ἐπὶ ματέρος ἀγκάλαισι θρῴσκων
ἔκανες, Φοῖβε, μαντείων δʼ ἐπέβας ζαθέων,
τρίποδί τʼ ἐν χρυσέῳ θάσσεις, ἐν ἀψευδεῖ θρόνῳ
1255 μαντείας βροτοῖς θεσφάτων νέμων
ἀδύτων ὕπο, Κασταλίας ῥεέθρων γείτων, μέσον
γᾶς ἔχων μέλαθρον.
Θέμιν δʼ ἐπεὶ γᾶς ἰὼν
1260 παῖδʼ ἀπενάσσατο Πυθῶνος ἀπὸ ζαθέων
χρηστηρίων, νύχια
Χθὼν ἐτεκνώσατο φάσματʼ ὀνείρων,
οἳ πολέσιν μερόπων τά τε πρῶτα, τά τʼ
1265 ἔπειθʼ, ὅσσα τʼ ἔμελλε τυχεῖν,
ὕπνου κατὰ δνοφερὰς γᾶς εὐ-
νὰς ἔφραζον· Γαῖα δὲ τὰν
μαντεῖον ἀφείλετο τι-
μὰν Φοῖβον, φθόνῳ θυγατρός.
1270 ταχύπους δʼ ἐς Ὄλυμπον ὁρ-
μαθεὶς ἄναξ
χέρα παιδνὸν ἕλιξεν ἐκ
Διὸς θρόνων
Πυθίων δόμων χθονίαν ἀφελεῖν μῆ-
νιν θεᾶς. νυχίους τʼ ἐνοπὰς.
γέλασε δʼ, ὅτι τέκος ἄφαρ ἔβα
1275 πολύχρυσα θέλων λατρεύματα σχεῖν·
ἐπὶ δʼ ἔσεισεν κόμαν, παῦσαι νυχίους ἐνοπάς,
ἀπὸ δʼ ἀλαθοσύναν νυκτωπὸν ἐξεῖλεν βροτῶν,
1280 καὶ τιμὰς πάλιν θῆκε Λοξίᾳ,
πολυάνορι δʼ ἐν ξενόεντι θρόνῳ θάρση βροτοῖς
θεσφάτων ἀοιδαῖς.
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Murray 1913
OCT
Murray, OCT, 1913 · 1913
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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