Third Episode
μέγα μοι τὰ θεῶν μελεδήμαθ’, ὅταν φρένας ἔλθῃ,
λύπας παραιρεῖ· ξύνεσιν δέ τινἐλπίδι κεύθων
λείπομαι ἔν τε τύχαις θνατῶν καὶ ἐν ἔργμασι λεύσσων·
1105 ἄλλα γὰρ ἄλλοθεν ἀμείβεται, μετὰ δἵσταται ἀνδράσιν
αἰὼν
πολυπλάνητος αἰεί.
εἴθε μοι εὐξαμένᾳ θεόθεν τάδε μοῖρα παράσχοι,
τύχαν μετὄλβου καὶ ἀκήρατον ἄλγεσι θυμόν·
1115 δόξα δὲ μήτἀτρεκὴς μήταὖ παράσημος ἐνείη·
ῥᾴδια δἤθεα τὸν αὔριον μεταβαλλομένα χρόνον αἰεὶ
βίον συνευτυχοίην.
1120 οὐκέτι γὰρ καθαρὰν φρένἔχω τὰ παρἐλπίδα λεύσ-
1120 σων,
ἐπεὶ τὸν Ἑλλανίας
φανερώτατον ἀστέρἈθήνας
εἴδομεν εἴδομεν ἐκ πατρὸς ὀργᾶς
1125 ἄλλαν ἐπαἶαν ἱέμενον.
ψάμαθοι πολιήτιδος ἀκτᾶς,
δρυμὸς ὄρειος, ὅθι κυνῶν
ὠκυπόδων μέτα θῆρας ἔναιρεν
1130 Δίκτυνναν ἀμφὶ σεμνάν.
οὐκέτι συζυγίαν πώλων Ἐνετᾶν ἐπιβάσῃ
τὸν ἀμφὶ Λίμνας τρόχον
κατέχων ποδὶ γυμνάδος ἵππου.
μοῦσα δἄυπνος ὑπἄντυγι χορδᾶν
1135 λήξει πατρῷον ἀνὰ δόμον·
ἀστέφανοι δὲ κόρας ἀνάπαυλαι
Λατοῦς βαθεῖαν ἀνὰ χλόαν·
νυμφιδία δἀπόλωλε φυγᾷ σᾷ
λέκτρων ἅμιλλα κούραις.
Χορός
ἐγὼ δὲ σᾷ δυστυχίᾳ
δάκρυσι διοίσω πότμον
ἄποτμον· τάλαινα μᾶ-
1145 τερ, ἔτεκες ἀνόνατα· φεῦ·
μανίω θεοῖσιν·
ἰὼ ἰώ·
συζύγιαι Χάριτες, τί τὸν τάλανἐκ πατρίας γᾶς
οὐδὲν ἄτας αἴτιον
1150 πέμπετε τῶνδἀποἴκων;
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Murray 1902
OCT
Murray, OCT, 1902 · 1902
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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