Prologue
Ὠκεανοῦ τις ὕδωρ στάζουσα πέτρα λέγεται,
βαπτὰν κάλπισι ῥυτὰν πα-
γὰν προιεῖσα κρημνῶν·
125 ὅθι μοί τις ἦν φίλα
πορφύρεα φάρεα
ποταμίᾳ δρόσῳ
τέγγουσα, θερ-
μᾶς δ’ ἐπὶ νῶτα πέτρας εὐ-
αλίου κατέβαλλ’· ὅθεν
130 μοι πρώτα φάτις ἦλθε δεσποίνας·
τειρομέναν νοσερᾷ κοίτᾳ δέμας ἐντὸς ἔχειν
οἴκων, λεπτὰ δὲ φάρη ξάν-
θαν κεφαλὰν σκιάζειν·
135 τριτάταν δέ νιν κλύω
τάνδ’ ἀβρωσίᾳ
στόματος ἁμέραν
Δάματρος ἀ-
κτᾶς δέμας ἁγνὸν ἴσχειν, κρυ-
πτῷ πένθει θανάτου θέλου-
140 σαν κέλσαι ποτὶ τέρμα δύστανον.
— ἦ σὺ γ’ ἔνθεος, ὦ κούρα,
εἴτ’ ἐκ Πανὸς εἴθ’ Ἑκάτας
ἢ σεμνῶν Κορυβάντων φοι-
τᾷς ἢ ματρὸς ὀρείας;
145 — σὺ δ’ ἀμφὶ τὰν πολύθηρον Δί-
κτυνναν ἀμπλακίαις ἀνίε-
ρος ἀθύτων πελάνων τρύχῃ;
φοιτᾷ γὰρ καὶ διὰ λίμνας
χέρσον θ’ ὑπὲρ πελάγους
150 δίναις ἐν νοτίαις ἅλμας.
— ἢ πόσιν, τὸν Ἐρεχθειδᾶν
ἀρχαγόν, τὸν εὐπατρίδαν,
ποιμαίνει τις ἐν οἴκοις κρυ-
πτὰ κοίτα λεχέων σῶν;
155 — ἢ ναυβάτας τις ἔπλευσεν Κρή-
τας ἔξορμος ἀνὴρ λιμένα
τὸν εὐξεινότατον ναύταις,
φήμαν πέμπων βασιλείᾳ,
λύπᾳ δ’ ὑπὲρ παθέων
160 εὐναία δέδεται ψυχά;
Χορός
— φιλεῖ δὲ τᾷ δυστρόπῳ γυναικῶν
ἁρμονίᾳ κακὰ δύστανος ἀμηχανία συνοικεῖν,
ὠδινῶν τε καὶ ἀφροσύνας.
165 δι’ ἐμᾶς ᾖξέν ποτε νηδύος ἅδ’
αὔρα. τὰν δ’ εὔλοχον οὐρανίαν
τόξων μεδέουσαν ἀύτευν
Ἄρτεμιν, καί μοι πολυζήλωτος αἰεὶ
σὺν θεοῖσι φοιτᾷ.
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An open-access project
Murray 1902
OCT
Murray, OCT, 1902 · 1902
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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