Parodos
Χορός
 — ἔα ἔα· τίς βοὴ βωμοῦ πέλας
ἕστηκε; ποίαν συμφορὰν δείξει τάχα;
75  — ἴδετε τὸν γέροντʼ ἀμαλὸν ἐπὶ πέδῳ
χύμενον· τάλας.
 — πρὸς τοῦ ποτʼ ἐν γῇ πτῶμα δύστηνον πίτνεις;
ὅδʼ, ξένοι, με σοὺς ἀτιμάζων θεοὺς
ἕλκει βιαίως Ζηνὸς ἐκ προβωμίων.
80 σὺ δʼ ἐκ τίνος γῆς, γέρον, τετράπτολιν
ξύνοικον ἦλθες λαόν; πέρα-
θεν ἁλίῳ πλάτᾳ
κατέχετʼ ἐκλιπόντες Εὐβοῖδʼ ἀκτάν;
οὐ νησιώτην, ξένοι, τρίβω βίον,
85 ἀλλʼ ἐκ Μυκηνῶν σὴν ἀφίγμεθα χθόνα.
ὄνομα τί σε, γέρον,
Μυκηναῖος ὠνόμαζεν λεώς;
τὸν Ἡράκλειον ἴστε που παραστάτην
Ἰόλαον· οὐ γὰρ σῶμʼ ἀκήρυκτον τόδε.
90 οἶδʼ εἰσακούσας καὶ πρίν· ἀλλὰ τοῦ ποτὲ
ἐν χερὶ σᾷ κομίζεις κόρους
νεοτρεφεῖς; φράσον.
Ἡρακλέους οἵδʼ εἰσὶ παῖδες, ξένοι,
ἱκέται σέθεν τε καὶ πόλεως ἀφιγμένοι.
95 τί χρέος; λόγων πόλεος, ἔνεπέ μοι,
μελόμενοι τυχεῖν;
μήτʼ ἐκδοθῆναι μήτε πρὸς βίαν θεῶν
τῶν σῶν ἀποσπασθέντες εἰς Ἄργος μολεῖν.
ἀλλʼ οὔτι τοῖς σοῖς δεσπόταις τάδʼ ἀρκέσει,
100 οἳ σοῦ κρατοῦντες ἐνθάδʼ εὑρίσκουσί σε.
εἰκὸς θεῶν ἱκτῆρας αἰδεῖσθαι, ξένε,
καὶ μὴ βιαίῳ χερὶ δαιμόνων
ἀπολείπειν σʼ ἕδη·
πότνια γὰρ Δίκα τάδʼ οὐ πείσεται.
105 ἔκπεμπέ νυν γῆς τούσδε τοὺς Εὐρυσθέως,
κοὐδὲν βιαίῳ τῇδε χρήσομαι χερί.
ἄθεον ἱκεσίαν
μεθεῖναι πόλει ξένων προστροπάν.
καλὸν δέ γʼ ἔξω πραγμάτων ἔχειν πόδα,
110 εὐβουλίας τυχόντα τῆς ἀμείνονος.
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An open-access project
Murray 1902
OCT
Murray, OCT, 1902 · 1902
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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