The Revenge
905 σὺ μέν, πατρὶς Ἰλιάς,
τῶν ἀπορθήτων πόλις οὐκέτι λέξῃ·
τοῖον Ἑλλάνων νέφος ἀμφί σε κρύπτει
δορὶ δὴ δορὶ πέρσαν.
910 ἀπὸ δὲ στεφάναν κέκαρ-
σαι πύργων, κατὰ δʼ αἰθάλου
κηλῖδʼ οἰκτροτάταν κέχρω-
σαι· τάλαινʼ,
οὐκέτι σʼ ἐμβατεύσω.
μεσονύκτιος ὠλλύμαν,
915 ἦμος ἐκ δείπνων ὕπνος ἡδὺς ἐπʼ ὄσσοις
σκίδναται, μολπᾶν δʼ ἄπο καὶ χοροποιῶν
θυσιᾶν καταλύσας
πόσις ἐν θαλάμοις ἔκει-
920 το, ξυστὸν δʼ ἐπὶ πασσάλῳ,
ναύταν οὐκέθʼ ὁρῶν ὅμι-
λον Τροίαν
Ἰλιάδʼ ἐμβεβῶτα.
ἐγὼ δὲ πλόκαμον ἀναδέτοις
μίτραισιν ἐρρυθμιζόμαν
925 χρυσέων ἐνόπτρων λεύσ-
σουσʼ ἀτέρμονας εἰς αὐγάς,
ἐπιδέμνιος ὡς πέσοιμʼ ἐς εὐνάν.
ἀνὰ δὲ κέλαδος ἔμολε πόλιν·
κέλευσμα δʼ ἦν κατʼ ἄστυ Τροί-
930 ας τόδʼ·
930 παῖδες Ἑλλάνων, πότε δὴ πότε τὰν
Ἰλιάδα σκοπιὰν
πέρσαντες ἥξετʼ οἴκους;
λέχη δὲ φίλια μονόπεπλος
λιποῦσα, Δωρὶς ὡς κόρα,
935 σεμνὰν προσίζουσʼ οὐκ
ἤνυσʼ Ἄρτεμιν τλάμων·
ἄγομαι δὲ θανόντʼ ἰδοῦσʼ ἀκοίταν
τὸν ἐμὸν ἅλιον ἐπὶ πέλαγος,
πόλιν τʼ ἀποσκοποῦσʼ, ἐπεὶ
940 νόστιμον
940 ναῦς ἐκίνησεν πόδα καί μʼ ἀπὸ γᾶς
ὥρισεν Ἰλιάδος·
τάλαινʼ, ἀπεῖπον ἄλγει,
Χορός
τὰν τοῖν Διοσκούροιν Ἑλέναν κάσιν
Ἰδαῖόν τε βούταν
945 αἰνόπαριν κατάρᾳ
διδοῦσʼ, ἐπεί με γᾶς ἐκ
πατρῴας ἀπώλεσεν
ἐξῴκισέν τʼ οἴκων γάμος, οὐ γάμος ἀλλʼ -
λάστορός τις οἰζύς·
950 ἃν μήτε πέλαγος ἅλιον ἀπαγάγοι πάλιν,
μήτε πα-
τρῷον ἵκοιτʼ ἐς οἶκον.
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An open-access project
Murray 1902
OCT
Murray, OCT, 1902 · 1902
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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