The Duel
αἰαῖ αἰαῖ, τρομερὰν φρίκᾳ
1285 τρομερὰν φρένʼ ἔχω· διὰ σάρκα δʼ ἐμὰν
ἔλεος ἔλεος ἔμολε μα-
τέρος δειλαίας.
δίδυμα τέκεα πότερος ἄρα
πότερον αἱμάξει
1290 ἰώ μοι πόνων, ἰὼ Ζεῦ, ἰὼ γᾶ
ὁμογενῆ δέραν, ὁμογενῆ ψυχὰν
διʼ ἀσπίδων, διʼ αἱμάτων;
τάλαινʼ ἐγὼ τάλαινα, πό-
1295 τερον ἄρα νέκυν ὀλόμενον ἰαχήσω;
φεῦ δᾶ φεῦ δᾶ, δίδυμοι θῆρες,
φόνιαι ψυχαὶ δορὶ παλλόμεναι
πέσεα πέσεα δάιʼ αὐ-
τίχʼ αἱμάξετον.
1300 τάλανες, τι ποτὲ μονομάχον
ἐπὶ φρένʼ ἠλθέτην,
βοᾷ βαρβάρῳ στενακτὰν ἰαχὰν
μελομέναν νεκροῖς δάκρυσι θρηνήσω.
σχεδὸν τύχα πέλας φόνου·
1305 κρινεῖ φάος τὸ μέλλον. -
ποτμος ἄποτμος φόνος ἕνεκʼ Ἐρινύων.
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Murray 1913
OCT
Murray, OCT, 1913 · 1913
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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