Act 0
Ἀνδρομάχη
Ἰλίῳ αἰπεινᾷ Πάρις οὐ γάμον ἀλλά τινἄταν
ἠγάγετεὐναίαν εἰς θαλάμους Ἑλέναν.
105 ἇς ἕνεκ’, Τροία, δορὶ καὶ πυρὶ δηιάλωτον
εἷλέ σ χιλιόναυς Ἑλλάδος ὠκὺς Ἄρης
καὶ τὸν ἐμὸν μελέας πόσιν Ἕκτορα, τὸν περὶ τείχη
εἵλκυσε διφρεύων παῖς ἁλίας Θέτιδος·
αὐτὰ δἐκ θαλάμων ἀγόμαν ἐπὶ θῖνα θαλάσσας,
110 δουλοσύναν στυγερὰν ἀμφιβαλοῦσα κάρᾳ.
πολλὰ δὲ δάκρυά μοι κατέβα χροός, ἁνίκἔλειπον
ἄστυ τε καὶ θαλάμους καὶ πόσιν ἐν κονίαις.
ὤμοι ἐγὼ μελέα, τί μἐχρῆν ἔτι φέγγος ὁρᾶσθαι
Ἑρμιόνας δούλαν; ἇς ὕπο τειρομένα
115 πρὸς τόδἄγαλμα θεᾶς ἱκέτις περὶ χεῖρε βαλοῦσα
τάκομαι ὡς πετρίνα πιδακόεσσα λιβάς.
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An open-access project
Murray 1902
OCT
Murray, OCT, 1902 · 1902
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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