Act 0
Χορός
Βᾶθι πρὸς εὐνὰς τὰς Ἑκτορέους.
τίς ὑπασπιστῶν ἄγρυπνος βασιλέως,
τευχοφόρων;
δέξαιτο νέων κληδόνα μύθων,
5 οἳ τετράμοιρον νυκτὸς φυλακὴν
πάσης στρατιᾶς προκάθηνται.
ὄρθου κεφαλὴν πῆχυν ἐρείσας,
λῦσον βλεφάρων γοργωπὸν ἕδραν,
λεῖπε χαμεύνας φυλλοστρώτους,
10 Ἕκτορ· καιρὸς γὰρ ἀκοῦσαι.
Ἕκτωρ
τίς ὅδʼ; φίλιος φθόγγος· τίς ἀνήρ;
τί τὸ σῆμα; θρόει·
τίνες ἐκ νυκτῶν τὰς ἡμετέρας
κοίτας πλάθουσʼ; ἐνέπειν χρή.
Χορός
15 φύλακες στρατιᾶς.
15 τί φέρῃ θορύβῳ;
θαρσῶ.
θάρσει.
Ἕκτωρ
μῶν τις λόχος ἐκ νυκτῶν;
οὐκ ἔστι.
τί σὺ γὰρ
φυλακὰς προλιπὼν κινεῖς στρατιάν,
εἰ μή τινʼ ἔχων νυκτηγορίαν;
20 οὐκ οἶσθα δορὸς πέλας Ἀργείου
νυχίαν ἡμᾶς
κοίταν πανόπλους κατέχοντας;
ὁπλίζου χέρα· συμμάχων,
Ἕκτορ, βᾶθι πρὸς εὐνάς,
25 ὄτρυνον ἔγχος αἴρειν, ἀφύπνισον.
πέμπε φίλους ἰέναι ποτὶ σὸν λόχον,
ἁρμόσατε ψαλίοις ἵππους.
τίς εἶσʼ ἐπὶ Πανθοΐδαν,
τὸν Εὐρώπας, Λυκίων ἀγὸν ἀνδρῶν;
30 ποῦ σφαγίων ἔφοροι;
ποῦ δὲ γυμνήτων μόναρχοι
τοξοφόροι τε Φρυγῶν;
ζεύγνυτε κερόδετα τόξα νευραῖς.
τὰ μὲν ἀγγέλλεις δείματʼ ἀκούειν,
35 τὰ δὲ θαρσύνεις, κοὐδὲν καθαρῶς.
ἀλλʼ Κρονίου Πανὸς τρομερᾷ
μάστιγι φοβῇ; φυλακὰς δὲ λιπὼν
κινεῖς στρατιάν. τί θροεῖς; τί σε φῶ
νέον ἀγγέλλειν; πολλὰ γὰρ εἰπὼν
40 οὐδὲν τρανῶς ἀπέδειξας.
πύρʼ αἴθει στρατὸς Ἀργόλας,
Ἕκτορ, πᾶσαν ἀνʼ ὄρφναν,
διειπετῆ δὲ ναῶν πυρσοῖς σταθμά.
πᾶς δʼ Ἀγαμεμνονίαν προσέβα στρατὸς
45 ἐννύχιος θορύβῳ σκηνάν,
νέαν τινʼ ἐφιέμενοι
βάξιν. οὐ γάρ πω πάρος ὧδʼ ἐφοβήθη
ναυσιπόρος στρατιά.
σοὶ δʼ, ὑποπτεύων τὸ μέλλον,
50 ἤλυθον ἄγγελος, ὡς
μήποτʼ ἐς ἐμέ τινα μέμψιν εἴπῃς.
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An open-access project
Murray 1913
OCT
Murray, OCT, 1913 · 1913
The Editor

Gilbert Murray (1866–1957) was Regius Professor of Greek at the University of Oxford from 1908 to 1936. Born in Sydney, Australia, he became one of the most prominent Hellenists of his age — both as a scholar and as a public intellectual who used verse translations of Greek tragedy to bring ancient drama to modern audiences. His translations of Euripides were staged in London's West End to considerable popular success. Beyond classics, Murray was a committed internationalist who helped draft the League of Nations covenant and served as chairman of the League of Nations Union.

About This Edition

Murray's OCT of Euripides, published in three volumes (1902–1909, revised 1913), provided the first modern critical text of all surviving Euripidean plays based on systematic manuscript collation. Murray worked primarily from the two principal manuscript families — the "select" manuscripts (L and P, preserving ten plays with extensive scholia) and the "alphabetical" manuscripts (preserving an additional nine plays). His text is considered moderately interventionist: Murray was willing to accept conjectures from the great Dutch and German scholars of the 18th and 19th centuries where he judged the manuscript text corrupt. James Diggle's OCT (1981–1994) has now superseded Murray's for scholarly purposes, though Murray's remains widely cited.

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