Dialogues of the gods. Zeus, Hera, Hermes, and the others behave like petty humans — jealous, vain, and absurd. Lucian strips the Olympians of their dignity.
Start ReadingPrometheus defends himself before Zeus for giving fire to mortals, arguing that without it humanity would have remained useless to the gods.
Eros and Zeus quarrel over the love-god's habit of making the king of the gods fall for inappropriate mortals.
Zeus and Hermes discuss the logistics of Zeus's latest affair, with the messenger god playing reluctant accomplice.
Zeus explains to Hermes how to divide the sacrificial offerings, revealing the gods' undignified squabbling over burnt meat.
Hera confronts Zeus about his infidelities, and the king of the gods offers excuses that convince neither his wife nor the reader.
Hephaestus asks Zeus about the birth of Athena from his head, and the smith god's practical questions deflate the mythology.
Apollo and Dionysus compete over which divine art — music or wine — brings more joy to mortals.
Hephaestus complains about his marital problems with Aphrodite, reducing the most scandalous myth on Olympus to a domestic comedy.
Poseidon and Hermes discuss the gods' respective domains, with the sea god feeling underappreciated compared to his brothers.
Hermes and Apollo trade their respective inventions — the lyre for the cattle-herding staff — in a divine barter economy.
Aphrodite and Selene gossip about mortal love affairs, with the love goddess dispensing advice that is as dangerous as it is entertaining.
Aphrodite and Eros discuss strategy for their next romantic entanglement of mortals and gods.
Zeus warns his fellow gods about the consequences of their behaviour toward mortals, in a divine council that accomplishes nothing.
Hermes and Apollo discuss the burden of their divine duties, revealing that even gods suffer from professional fatigue.
The gods debate the admission of Heracles and Dionysus to Olympus, with Zeus pulling rank to settle the matter.
Hera and Leto quarrel over whose children are more impressive, with the divine mothers trading insults worthy of a schoolyard.
Apollo and Hermes reflect on the peculiar fate of mortals who become entangled with gods, rarely to their benefit.
Zeus and Ganymede, the Trojan prince snatched up to Olympus, settle into a conversation that Lucian makes deliberately uncomfortable.
Aphrodite complains to Zeus about Athena's refusal to participate in the Judgement of Paris, citing unfair competition.
The Judgement of Paris itself, retold as a beauty contest managed by a bewildered Trojan shepherd and three vain goddesses.
Ares and Hermes discuss the indignity of being trapped in Hephaestus's net with Aphrodite, exposed to the laughter of all Olympus.
Pan claims kinship with Hermes, and the messenger god squirms at acknowledging his goat-footed offspring.
Apollo mocks Dionysus for his effeminate appearance, and the wine god responds that his conquests in India outshine any plague-dealing archer.
Hermes and his mother Maia discuss the thankless life of Zeus's messenger, errand-runner, and all-purpose divine servant.
Zeus calls a final assembly to address the disorder on Olympus, achieving the usual result: nothing.
Lucian's closing dialogue on divine affairs distills the satirist's central insight: the gods are simply humans with superpowers and even less self-awareness.