Dionysus descends to the underworld to bring back a dead tragedian because the living ones are terrible. Aeschylus and Euripides compete in a literary contest judged by the god of theatre. The greatest work of literary criticism disguised as comedy.
Start ReadingDionysus, disgusted by contemporary tragedy, decides to descend to Hades to bring Euripides back. He dresses in Heracles' lion skin.
Dionysus crosses the lake of the dead. The chorus of frogs sings Brekekekex koax koax.
At Hades' gate, Dionysus and Xanthias swap the Heracles costume depending on whether the reception seems welcoming or hostile.
The chorus addresses the audience on political matters and argues for the restoration of citizens' rights.
A contest is underway in Hades: Aeschylus holds the Chair of Tragedy but Euripides is challenging him. Dionysus judges.
The chorus anticipates the literary battle. Aeschylus: grand. Euripides: clever.
Euripides attacks Aeschylus's bombastic style. Aeschylus counters: his characters were heroes, not pimps and beggars.
Each poet recites his prologues. Aeschylus demolishes Euripides with "lost his little bottle of oil."
Each poet's lyrics are parodied. The mutual mockery is devastating.
Individual verses are weighed on a scale. Aeschylus's heavy, martial lines outweigh Euripides's every time.
Each poet advises on saving Athens. Aeschylus is direct: trust the fleet, distrust the politicians.
Dionysus chooses Aeschylus. Euripides is furious. "My tongue swore, but my heart did not."
Aeschylus rises from the dead. He assigns his chair to Sophocles — not Euripides.