Victory odes for winners at the Olympic games. Pindar does not describe the races — he makes the victories mythic, linking each winner to the heroes and gods. The most magnificent choral poetry in Greek.
Start ReadingFor Hieron of Syracuse, winner of the horse race. The origin of the Olympic Games and the myth of Pelops.
For Theron of Acragas, winner of the chariot race. The myth of the Theban heroes and the cycle of fortune.
For Theron of Acragas. The Dioscuri, the blessings of the just, and the punishments of the wicked in the afterlife.
For Psaumis of Camarina, winner of the mule-cart race. Brief, vivid, and celebratory.
For Psaumis of Camarina, winner of the mule-cart race. Fortune, piety, and the praise of honest achievement.
For Hagesias of Syracuse, winner of the mule-cart race. The myth of Iamos and the prophetic family at Olympia.
For Diagoras of Rhodes, winner of the boxing. The most celebrated ode in antiquity — it was inscribed in gold letters in the temple of Athena at Lindos.
For Alcimedon of Aegina, winner of the boys' wrestling. The glory of Aegina and the training of young athletes.
For Epharmostus of Opuntian Locris, winner of the wrestling. The myth of Deucalion's flood and the origin of the Locrian people.
For Hagesidamus of Western Locris, winner of the boys' boxing. The trainer Ilas is praised alongside the athlete.
Pindar celebrates an athletic victory with the full apparatus of choral lyric — myth, gnome, and praise woven into a complex ode that honours both the winner and his city.
Pindar celebrates an athletic victory with the full apparatus of choral lyric — myth, gnome, and praise woven into a complex ode that honours both the winner and his city.
Pindar celebrates an athletic victory with the full apparatus of choral lyric — myth, gnome, and praise woven into a complex ode that honours both the winner and his city.
Pindar celebrates an athletic victory with the full apparatus of choral lyric — myth, gnome, and praise woven into a complex ode that honours both the winner and his city.