Horace's early work, and his angriest. Seventeen poems in iambic metre — the rhythm of abuse. Targets include witches, an ex-slave who's got above himself, a woman who smells bad, garlic, and the entire Roman civil war. The tone lurches from savage to comic. This is Horace before the Sabine farm, before Maecenas, before the mellowing. He bites.
Start ReadingHorace offers to accompany Maecenas to Actium. A poem of loyalty disguised as reluctance.
Beatus ille — Happy the man who lives far from business. Revealed to be spoken by a moneylender.
A comic assault on garlic. Horace treats a condiment as if it were poison.
An attack on an upstart freedman who parades his wealth.
The witch Canidia and her coven kidnap a boy for a love-potion. The darkest poem in the collection.
A warning to a coward who attacks the weak but flees the strong.
Rome is tearing itself apart. The curse goes back to Romulus's murder of Remus.
A savage attack on an ageing woman who still pursues young men.
Horace celebrates the victory at Actium.
A mock send-off for the bad poet Mevius. Horace prays for his ship to sink.
Horace confesses a new love. He has sworn off women before but is undone again.
Another attack on an unappealing sexual partner. Iambic poetry as licensed invective.
A storm rages. Horace counsels his friends to drink and let wine drive out care.
Horace apologises to Maecenas for the delay in completing his book. Love is the culprit.
A faithless woman has broken her oath. Horace threatens to turn his invective on her new lover.
Rome's civil wars will destroy the city. The only hope is the Blessed Isles — possibly ironic.
Canidia returns. Horace begs for mercy. She refuses. The collection ends in unresolved darkness.