Fifty sisters flee forced marriage to their cousins and seek asylum in Argos. The city must decide: protect the suppliants and face war, or hand them over. The first refugee drama.
Start ReadingThe complete text of Supplices. Fifty daughters of Danaus flee Egypt to escape forced marriage to their cousins. They demand asylum from the king of Argos.
The fifty daughters of Danaus arrive at Argos as refugees, fleeing forced marriage to their Egyptian cousins. They carry olive branches and beg for sanctuary.
Danaus counsels his daughters to appeal to the Argive king. They take refuge at an altar on the shore.
The chorus invokes Zeus as their ancestor — Io, the Argive maiden loved by Zeus, is their foremother. They claim kinship with Argos.
Pelasgus, king of Argos, arrives and questions the women. He is torn between compassion and the political danger of sheltering them against Egypt.
The Danaids press their claim as suppliants. If Pelasgus refuses, they threaten to hang themselves from the statues of the gods — polluting Argos with their blood.
The chorus prays to Zeus for protection and reflects on Io's wanderings, drawing a parallel between her suffering and their own flight from violence.
Pelasgus decides he cannot act alone — the people of Argos must vote. He goes to put the matter before the assembly.
The chorus waits anxiously for the assembly's decision, singing of the justice of their cause and the horror of the marriage they flee.
Danaus brings word: the Argive assembly has voted unanimously to protect the Danaids. The city will go to war rather than surrender suppliants.
The chorus sings a hymn of gratitude to Argos and its people. They bless the city and pray for its prosperity.
An Egyptian herald arrives and attempts to drag the women from the altar by force. He threatens war if they are not surrendered.
The chorus cries out in terror as the herald seizes them. Their screams bring Pelasgus running.
Pelasgus faces down the Egyptian herald and asserts Argos's sovereignty. The herald withdraws with threats of war.
The chorus reflects on the violence of their pursuers and the protection they have found. But war is now inevitable.
Danaus warns his daughters about the dangers ahead and counsels them to remain virtuous. Even in Argos, they are not fully safe.
The chorus prays for divine protection and sings of their determination never to submit to the forced marriage.
A secondary chorus argues that Aphrodite should not be scorned — love and marriage are not inherently evil.