Vases › Red-figure › Krater › Terracotta volute-krater (bowl for mixing wine and...

Terracotta volute-krater (bowl for mixing wine and water)

Terracotta volute-krater (bowl for mixing wine and water)

Red-figure Attributed to the Painter of the Woolly Satyrs · Krater · ca. 450 BCE

Volute-krater. Greek, Attic. Classical. Classification: Vases. Credit: Rogers Fund, 1907. Gallery 153.

Attribution History

Current

Met Museum catalogue

Attributed: Attributed to the Painter of the Woolly Satyrs

Source: met_import

Depicted Scenes

🏥

Amazonomachy

Mythology

🏥

Chariot scene

Other

🏥

Amazons

Mythology

🏥

Warriors

Battle

🏥

Theseus

Mythology

🏥

Ares

Mythology

🏥

Centaurs

Mythology

🏥

Centauromachy

Battle

Bibliography

55 references

Catalogues & Reference Works

Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989) (1989) — 268

Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982) (1982) — 131

Beazley, J.D., Paralipomena (Oxford, 1971) (1971) — 397

Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963) (1963) — 613.1, 1662

Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925) (1925) — 342.2

Lexicon Iconographicum Mythologiae Classicae: VII, PL.663, THESEUS 267 (PART OF A)

Books & Monographs

Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022) (2022) — 67, FIG.50 (A)

Childs, W., Greek Art and Aesthetics in the 4th Century B.C. (Princeton, 2018) (2018) — FIG.263 (PART OF A)

Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016) (2016) — 828, NO.40 (PART OF NA)

Arrington, N.T., Ashes, Images and Memories, The Presence of the War Dead in Fifth-Century Athens (Oxford, 2015) (2015) — 150, FIG.4.12 (A)

Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015) (2015) — 172, FIG.250 (COLOUR OF A)

Mayor, A., The Amazons. Lives and Legends of Warrior Women across the Ancient World (Princeton and Oxford, 2014) (2014) — 181, FIG.11.3 (PART OF A)

Birgalias, N. et al. (eds.), War - Peace and Panhellenic Games (Athens, 2013) (2013) — 205, FIG.4 (PART OF NA AND A)

Polizzotti, M. et al. (eds.), The Metropolitan Museum of Art Guide (New York, 2012) (2012) — 70 (COLOUR OF A AND NA)

Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines öffentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011) (2011) — FIG.7 (DRAWING OF A)

Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010) (2010) — 126, FIG.101, 246-247, FIG.202 (A, B, PART OF A)

Mertens, J., How to read Greek vases (New York, 2010) (2010) — 124-129 (COLOUR OF A, B, NA, NB AND PARTS)

Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008) (2008) — 383, 506-507, FIGS.271, 369 (A, PARTS OF NA, DRAWING OF A)

Picon, C.A., Mertens, J.R., et al., Art of the Classical World in the Metropolitan Museum of Art, Greece, Cyprus, Etruria, Rome (New York, 2007) (2007) — 116, NO.127 (COLOUR OF A AND NA)

Neils, J. (ed.), The Parthenon, From Antiquity to the Present (Cambridge, 2005) (2005) — 181, FIG.55 (PART)

Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004) (2004) — 31, FIG.3.5 (PART OF A)

Bol, P. (ed.), Zum Verhältnis von Raum und Zeit in der griechischen Kunst (2003) (2003) — PL.18, FIG.36 (DRAWING OF A)

Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001) (2001) — 96, FIG.131 (DRAWING)

Rutter, K.N. and Sparkes, B.A. (eds.), Word and Image in Ancient Greece (Edinburgh, 2000) (2000) — 199, FIG.10.8 (DRAWING OF N)

Hornblower, S. and Spawforth, A. (eds.), The Oxford Companion to Classical Civilization (Oxford, 1998) (1998) — 478 (A)

Hornblower, S. and Spawforth, A. (eds.), The Oxford Companion to Classical Civilization (Oxford, 1998) (1998) — 31 (PART OF A)

Cook, R.M., Greek Painted Pottery 3rd ed. (London, 1997) (1997) — 170, FIG.33 (DRAWING OF PART OF A)

Denoyelle, M., La cratere des Niobides (Paris, 1997) (1997) — 34, FIG.28 (PART OF A)

Stewart, A., Art, Desire, and the Body in Ancient Greece (Cambridge, 1997) (1997) — PL.1, 21, FIG.11 (COLOUR AND DRAWING OF A)

Cavalier, O. (ed.), Silence et Fureur, La femme et le marriage en Grece, Les antiquites grecques du Musee Calvet (Avignon, ca.1997) (1997) — 431 TOP (DRAWINGS OF NAB)

Koloski-Ostrow, A.O., and Lyons, C.L., Naked Truths, Women, Sexuality and Gender in Classical Art and Archaeology (London, 1997) (1997) — 75-76, FIGS.6-7 (A, AH)

Cohen, A., The Alexander Mosaic, Stories of Victory and Defeat (Cambridge, 1997) (1997) — 49, FIG.28 (A, PART OF A)

Scheibler, I., Griechische Töpferkunst, Herstellung, Handel und Gebrauch der antiken Tongefässe, 2nd ed. (Munich, 1995) (1995) — 65, FIG.61 (A)

Boardman, J. (ed.), Cambridge Ancient History, Plates to Volumes 5 & 6 (Cambridge, 1995) (1995) — 37, FIG.41 (A)

Bonacasa, N. (ed.), Lo Stile Severo in Grecia e in Occidente, Aspetti e problemi, Studi e Materiali 9 (Rome, 1995) (1995) — PL.4.1 (DRAWING OF A)

Marconi, C., Selinunte, le metope dell'Heraion (Modena, 1994) (1994) — 271, FIG.129 (DRAWING OF A)

Castriota, D., Myth, Ethos, and Actuality, Official Art in Fifth-Century Athens (Madison, 1992) (1992) — 38-41, FIGS.2A-D (A, DRAWING OF NA, UH)

Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992) (1992) — 182, FIGS.193-194 (A, PART)

Schleiffenbaum, M.E., Der griechische Volutenkrater (Frankfurt, 1991) (1991) — 491, FIG.16 (A)

Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991) (1991) — FIG.255 (PART OF N)

Lissarrague, F., The Aesthetics of the Greek Banquet, Images of Wine and Ritual (Princeton, 1990) (1990) — 30-31, FIG.14 (DRAWING OF PART)

Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989) (1989) — FIG.12 (DRAWING OF A AND B)

Bothmer, D. v., Greek Vase Painting, An Introduction (New York, 1987) (1987) — 54-55, 66, NO.24 (A, PARTS OF A AND NA)

Bothmer, D. von, Greek Vase Paintings, Metropolitan Museum of Art (New York, 1987) (1987) — 58-59, 71, NO.29 (A)

Cook, R.M., Greek Painted Pottery (London, 1966) (1966) — 179, FIG.33 (DRAWING OF PART OF A)

Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923) (1923) — FIG.506 (A)

Shapes of Greek Vases (New York, 1922) (1922) — 9.2 (A)

Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32) (1904) — PLS.116-117

Thesaurus Cultus et Rituum Antiquorum — II, PL.47.GR119 (NA)

Moreno, P., La pittura Greca dalle origini ad Apelle, Archeo Dossier 34 — 29 (DRAWING OF A)

Journal Articles

American Journal of Archaeology (2007) — 111 (2007) 42, FIG.8 (A)

American Journal of Archaeology (1996) — 100 (1996) 86, FIG.4 (A)

Archäologischer Anzeiger (1992) — 1992, 380-381, FIGS.6-7 (PARTS OF A)

Metropolitan Museum Journal (1989) — 24 (1989), 59, FIGS.3-4 (PARTS)

American Journal of Archaeology (1965) — 69 (1965) PL.79, FIG.12 (PART OF NA)

Shape

Krater

Technique

Red-figure

Period

Classical

Date

ca. 450 BCE

Culture

Greek, Attic

Painter

Attributed to the Painter of the Woolly Satyrs

Attribution

Attributed

Museum

The Metropolitan Museum of Art

Accession Number

07.286.84

Image Source

met_cc0

View at The Met →

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Images courtesy of The Metropolitan Museum of Art (CC0)